The Persistence of Memory (Spanish: La persistencia de la memoria) is a 1931 painting by artist Salvador DalÃ, and one of the most recognizable works of Surrealism. First shown at the Julien Levy Gallery in 1932, since 1934 the painting has been in the collection of the Museum of Modern Art (MoMA) in New York City, which received it from an anonymous donor. It is widely recognized and frequently referenced in popular culture,[1] and sometimes referred to by more descriptive titles, such as 'Melting Clocks', 'The Soft Watches' or 'The Melting Watches'.[by whom?]
![]()
Dali painted The Persistence of Memory at the age of twenty-seven years old. If we are looking for the autobiographical meaning of Persistence of Memory, the clocks might be representative of his adolescence and are fading or melting away because Dali cannot remember them accurately now that so much time has passed. We would like to thank you for visiting our website! Please find below all âThe Persistence of Memoryâ artist answers and solutions for the daily New York Times Crossword Puzzle. Since you have landed on our site then most probably you are looking for the solution of âThe Persistence of Memoryâ artist.
Description[edit]
The well-known surrealist piece introduced the image of the soft melting pocket watch.[2] It epitomizes DalÃ's theory of 'softness' and 'hardness', which was central to his thinking at the time. As Dawn Adès wrote, 'The soft watches are an unconscious symbol of the relativity of space and time, a Surrealist meditation on the collapse of our notions of a fixed cosmic order'.[3] This interpretation suggests that Dalà was incorporating an understanding of the world introduced by Albert Einstein's theory of special relativity. Asked by Ilya Prigogine whether this was in fact the case, Dalà replied that the soft watches were not inspired by the theory of relativity, but by the surrealist perception of a Camembert melting in the sun.[4]
It is possible to recognize a human figure in the middle of the composition, in the strange 'monster' (with a lot of texture near its face, and lots of contrast and tone in the picture) that Dalà used in several contemporary pieces to represent himself â the abstract form becoming something of a self-portrait, reappearing frequently in his work. The creature seems to be based on a figure from the Paradise section of Hieronymus Bosch's The Garden of Earthly Delights, which Dalà had studied.[7] It can be read as a 'fading' creature, one that often appears in dreams where the dreamer cannot pinpoint the creature's exact form and composition. One can observe that the creature has one closed eye with several eyelashes, suggesting that the creature is also in a dream state. The iconography may refer to a dream that Dalà himself had experienced, and the clocks may symbolize the passing of time as one experiences it in sleep or the persistence of time in the eyes of the dreamer.
The orange clock at the bottom left of the painting is covered in ants. Dalà often used ants in his paintings as a symbol of decay.[8][9] Another insect that is present in the painting is a fly, which sits on the watch that is next to the orange watch. The fly appears to be casting a human shadow as the sun hits it. The Persistence of Memory employs 'the exactitude of realist painting techniques'[10] to depict imagery more likely to be found in dreams than in waking consciousness.
The craggy rocks to the right represent a tip of Cap de Creus peninsula in north-eastern Catalonia. Many of DalÃ's paintings were inspired by the landscapes of his life in Catalonia. The strange and foreboding shadow in the foreground of this painting is a reference to Mount Pani.[11]
Versions[edit]
The Shanghai copy of the sculpture Nobility of Time
Dalà returned to the theme of this painting with the variation The Disintegration of the Persistence of Memory (1954), showing his earlier famous work systematically fragmenting into smaller component elements, and a series of rectangular blocks which reveal further imagery through the gaps between them, implying something beneath the surface of the original work; this work is now in the Salvador Dalà Museum in St. Petersburg, Florida, while the original Persistence of Memory remains at the Museum of Modern Art in New York City. Dalà also produced various lithographs and sculptures on the theme of soft watches late in his career. Some of these sculptures are Persistence of Memory, Nobility of Time, Profile of Time, and Three Dancing Watches.[12]
See also[edit]References[edit]
External links[edit]![]()
Retrieved from 'https://en.wikipedia.org/w/index.php?title=The_Persistence_of_Memory&oldid=946847849'
Description[edit]
The well-known surrealist piece introduced the image of the soft melting pocket watch.[2] It epitomizes DalÃ's theory of 'softness' and 'hardness', which was central to his thinking at the time. As Dawn Adès wrote, 'The soft watches are an unconscious symbol of the relativity of space and time, a Surrealist meditation on the collapse of our notions of a fixed cosmic order'.[3] This interpretation suggests that Dalà was incorporating an understanding of the world introduced by Albert Einstein's theory of special relativity. Asked by Ilya Prigogine whether this was in fact the case, Dalà replied that the soft watches were not inspired by the theory of relativity, but by the surrealist perception of a Camembert melting in the sun.[4]
It is possible to recognize a human figure in the middle of the composition, in the strange 'monster' (with a lot of texture near its face, and lots of contrast and tone in the picture) that Dalà used in several contemporary pieces to represent himself â the abstract form becoming something of a self-portrait, reappearing frequently in his work. The creature seems to be based on a figure from the Paradise section of Hieronymus Bosch's The Garden of Earthly Delights, which Dalà had studied.[7] It can be read as a 'fading' creature, one that often appears in dreams where the dreamer cannot pinpoint the creature's exact form and composition. One can observe that the creature has one closed eye with several eyelashes, suggesting that the creature is also in a dream state. The iconography may refer to a dream that Dalà himself had experienced, and the clocks may symbolize the passing of time as one experiences it in sleep or the persistence of time in the eyes of the dreamer.
The orange clock at the bottom left of the painting is covered in ants. Dalà often used ants in his paintings as a symbol of decay.[8][9] Another insect that is present in the painting is a fly, which sits on the watch that is next to the orange watch. The fly appears to be casting a human shadow as the sun hits it. The Persistence of Memory employs 'the exactitude of realist painting techniques'[10] to depict imagery more likely to be found in dreams than in waking consciousness.
The craggy rocks to the right represent a tip of Cap de Creus peninsula in north-eastern Catalonia. Many of DalÃ's paintings were inspired by the landscapes of his life in Catalonia. The strange and foreboding shadow in the foreground of this painting is a reference to Mount Pani.[11]
Versions[edit]
The Shanghai copy of the sculpture Nobility of Time
Dalà returned to the theme of this painting with the variation The Disintegration of the Persistence of Memory (1954), showing his earlier famous work systematically fragmenting into smaller component elements, and a series of rectangular blocks which reveal further imagery through the gaps between them, implying something beneath the surface of the original work; this work is now in the Salvador Dalà Museum in St. Petersburg, Florida, while the original Persistence of Memory remains at the Museum of Modern Art in New York City. Dalà also produced various lithographs and sculptures on the theme of soft watches late in his career. Some of these sculptures are Persistence of Memory, Nobility of Time, Profile of Time, and Three Dancing Watches.[12]
See also[edit]References[edit]
External links[edit]
Retrieved from 'https://en.wikipedia.org/w/index.php?title=The_Persistence_of_Memory&oldid=946847849'
![]() Comments are closed.
|
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. Archives
March 2023
Categories |